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DCI DCI or not, that is the question

Die Auseinandersetzung, ob der US-amerikanische DCI-Standard des Digitalen Kinos die für das Kino seit etwa dem Jahr 1900 gelöste Formatfrage neu beantwortet, hätte bereits seit 1998 zwischen Produktions- und Vertriebsseite shall be maintained (I had already in 1997 can be presented in Karlsruhe 2K projectors to the public), they will be in the year 2010 answered too late and must now also negative:

DCI can not replace 35-mm film as an open format definition, because DCI just no open format definition knows - and also teaches the history of cinema that in addition to the 35-mm cinema including that of 16-mm format and just gave the 70-mm movie theater. This is not a question of "film resolutions" or the projection quality, but simply one of the cinema business operating plan, the various technical options (which may exist as a plurality of side by side) and current conditions from a technical Möglichkeit für das aktuell anstehende Kinobetriebskonzept als passend auswählen konnte. Dieser Möglichkeit wird die Kinobranche mittels DCI beraubt. DCI-Kino ist optionslos in jeder Hinsicht.

Denn ein Pluralismusansatz fehlt bei den "Durchdrückversuchen" des deutschen Filmproduzentenverbandes "Allianz Deutscher Produzenten - Film & Fernsehen", wenn etwa mit Fördergeldern nur DCI-entstprechende, digitale Kinoanlagen gefördert werden sollen. Abgesehen von der Fragwürdigkeit des Förderunterfangens, weil es Kinos in Investitionsschleifen hineinzieht, die in ihren Intervallen an jene der "PC-Computer" der 1980er- und 1990er-Jahre erinnert -- und die die anstehende Marktbereinigung der Kinobranche nur kosmetisch beautiful (because stretch of time) but is ultimately not able to prevent. Finally, it seems to me highly doubtful if the former member of the German Film Academy, even as a section leader of the Alliance of German producers - is film and television in his role as a lobbyist while still in the director board of the FFA is sitting and meet there (at least) corruption legislation tasks added.

I rate the movie theaters and the remaining independent distributors urgently to continue and to develop new strategies for DCI-independent HD or 2K feature film with their own operational concepts.

way that is, the coercive monopoly on technical solutions that serve all purposes only and not a livelihood pluralist cinema industry. Cinema as a space of experience to be reinvented, the DCI debate can provide an occasion. Who wants to operate movie theaters continue even as passion and business, if he is not master of the house?

The 16-mm-Club cinemas also had the then market and their right to exist, especially if you can keep them historically good that the Subventionsfüllhorn via New German / Young German Film of the 1970s even as the first in the categories of cultural veracity awareness have co-created. And that especially means that the interface between content and technology to remain open. Only then would ever created the conditions Kinos weiterhin betreiben zu können, gerade dann, wenn die ganze "Suventionitis" bald aus makroökonomischen Gründen auf Null zurückgefahren werden sollte. Joachim Polzer

Links:
http://www.variety.com/article/VR1118028011?refCatId=3599

http://www.ag-verleih.de/?rubrik=positionen&position=05_digitalisierung

http://www.filmproduzentenverband.de/index.php?option=com_content&view=articl... :statement-der-ag-kino-gilde-ev-zur-unabhaengigkeit-der-filmkunsttheater&catid=2:newsflash&Itemid=19

http://www.kulturprojektor.de/2010/09/17/die-mar-vom-mehr-digitales-kino-vers...