Thoughtfully considered Skull from the rearmost Table in the cabaret heads, hair styles and faces of the people who sip their drinks off their cell phones, yet quickly bring a sentence, although the public light has already ausgedimmt. Since they actually missed the moment, had summoned the Devyani it requires special attention: the sublime uncanny way the silhouette of a Japanese geisha out of the darkness to the edge of the beam. The unmistakable floating gear to the wonderful wooden sandals of their culture, the result of lifelong training, as if the woman moves on wheels. It follows a traditional geisha dance without musical accompaniment. The elegant quiet steps, the moderate gestures and bows, the interplay between taking and release of the kimono fabric with regard to its cultural inaccessibility and the lack of music is a strange abstract intimacy, and the consistency between gesture, make-up and mixed material, the presence of the dancer to a kind of closed work of art makes the greatest density.
occurs at their disposal another dancer, or is it a man into space - the memory banks of the same subtle early railways. He or she, without makeup, in western clothing, namely, track pants and sneakers, performed the same dance. As expected, the effect is entirely different. Skull Face for the presentation now looks to contemporary conceptual Dance, which concludes them to be interpreted as an attempt at uncovering patterns of motion in the context would seem meaningless. Some gestures received by the lack of panels a funny note, and the floating gear is for the rubber sole of the Adidas shoes almost impossible. From time to time is on the precise quarter-turns or reverse steps to hear a slight squeak, and the close ties up the thigh and knee seems absurd.
After her disappearance, this figure is now replaced by a distinctly male form. She is naked and performs exactly the same traditional choreography with all its refinements and subtleties but the genitalia simply do not have fit into the overall picture. Again and again tumble and swing it out, what the rest of the body bound even more extreme in itself and can act banned. Thanks to the precise repetition of formulaic steps and arm movements, the tilting of the head and trickily varying perspectives of the eyes, the complexity of the composition of the Geisha dance is a part, tangible, on the other hand, reach, until finally builds up over all the possible levels of meaning an internal defense, at least for Skull Face.
As the last passage brings the change to a giant teddy bear, the audience spontaneously began to clap, by each strain is different from the humor of the stuffed animal. Of course, the dancers in brown full-body costume same facilitations and subtle changes in the Geisha follows as closely as possible. In view of the quaintness of his figure and the gaze of Soulful button eyes, the feeling of congestion in peals of laughter discharges. The memory of the discreet bows, now run by a giant round head, these fine finger sign, lost in the clumsy claws. No less preposterous the short legs clamped together along with the abdominal skin. Just before the scene turns and a bitter heart is felt, a fabric flap opens the bear in his butt. One eye. When Blackout is alone ein blinkender weißer Lichtpunkt aus der Mitte sichtbar.
0 comments:
Post a Comment