Congratulations Sayings On Engagement

the film print: next stop - terminus station

When I am about the recent Berlinale with JPG, the chair of the Cinema Museum Berlin eV, met - as was the future margin of the audiovisual media, film process, a topic of conversation. Of course, some truth to JPGs argument that more than 85% of all commercially operated theaters worldwide are working with film.

I liked for a prognosis, how long to be copied and distributed to print film is, I admit, however, only on a six-month intervals. And patter the messages currently in the same constant sequence start: first

The German film processing plants now seem an order slowdown in 35-mm productions in terms of evolution have led to negative. The new large chip cameras such as RED, Alexa und die neue AF-101 von Panasonic hauen kräftig ins Kontor. Es wird mehr und mehr als Filmemacher "unschicklich", noch weiterhin mit Film zu arbeiten -- siehe auch die jüngste Diskussion um das Verbot von Super16-Negativ-Materialien wegen "Kompressionsartefakten bei Filmkorn", also eigentlich wegen übertrieben niedrigen Datenraten. Das Raunen vom "Filmlook" ist so weit weg verhallt, dass man sich fast schon gar nicht mehr daran erinnern kann.

2. Der Fachpresse kann man derzeit entnehmen, dass z.B. die 35-mm-Print-Abteilungen bei der Geyer-Nachfolgefirma aus Hamburg und München nach Berlin zusammengezogen und konsolidiert werden sollen, bzw. schon wurden.

3. Der UK-Guardian brachte gestern einen sehr persönlichen Beitrag the film artist Tacita Dean, after which the last remaining film lab with 16-mm print department (and positive) tract in the UK, the former 'Soho Film Laboratory', - after acceptance by the Deluxe Corporation (and, therefore, now renamed the 'deluxe Soho ') has closed with immediate effect, the 16-mm-Positive Division:
http://www.guardian.co.uk/artanddesign/2011/feb/22/tacita-dean-16mm-film/print

I am very happy that we could write to the output 8 of the "Wonders of the cinematography," a brief 'history of film processing plant' and it sat so still a small memorial:
http://www.amazon.de/exec/obidos/ ASIN/3934535267/kulturcontent-21

Zeit würde es jetzt, ggf. eine Liste aufzusetzen, welche Filmkopierwerke in der weiten Welt überhaupt noch was an klassischen Filmkopierwerksleistungen anbieten können. Anders herum formuliert, die letzten würden nicht die Hunde beißen, sondern ein vielleicht erträgliches Auskommen haben können, sich den verbleibenden Restmarkt an Filmkünstlern, Liebhabern und sonstigen 'Verrückten' aufzuteilen.

Völlig unbeantwortet bleibt weiterhin die Frage, worauf die ganze Flut an Video-Digital-Werken und sonstigen Bewegtbild-Materialen kuratorisch selektiert und mit einer gewissen Erhaltungschance materiell gespeichert und gesichert werden soll und werden kann.

Wir nähern uns schwarz bleibenden Zeiten vor lauter Bildschirm-Blendung.

JP

American Standard L Shaped Shower Curtain Rod

Manfred Salzgeber - biography and bio-doc still missing

Egbert Hörmann's brief hommage article on Manfred Salzgeber is an interesting read from Berlinale's Teddy Award journal at its 25th anniversary run. However it reminds me urgently that an in-depth and detailed written biography on Manfred Salzgeber is still missing after all these years. Manfred Salzgeber was one of the outmost inspirators of its time for bringing German cinema culture, festival curatorship and film publishing to new horizons.

Indeed he was bringing "the salt" into a still grey everyday life soup of Stuttgart and Berlin during the 1960s and 1970s -- before becomming internationally known and renowned as the sidekick of the Berlinale and Moritz de Hadeln during the 1980s in his own right.

Two years ago I publicly questioned that a bio-doc (or even bio-doc series regarding all things considered) on Manfred Salzgeber and on his life, work and influence until today is also still missing sadly:
http://kinoberlin.blogspot.com/2009/02/manfred-salzgeber.html

The reactions after my call made it clear to me that there seems to be a sort of local conflict in multiple perspectives and consisting of several different interest parties involved: the hiers, their inheritance, the remaining artefacts and their legal rights, the commercial continuation of Salzgeber's film distribution, the Berlin International Film Festival and its sudden interest in current Kiezkino but not in their own history track, the Panorama section with the successor of M.S., the Teddy Awards merchandize and now the forthcoming Teddy Academy, plus local Public Radio Television with their archives, licensing strategies and program policies.

So, unfortunatly, it seems continiously that it might not be a comfortable choice to be right in the middle of such an intense conflict of interests with such mighty powerful parties. However this strugge for a Salzgeber biopic becoming real might be a doc (or even a feature movie) in itself, on the Berlin 'Hauptstadtgefühl' with this everlasting presence of the present while neglecting history.

http://www.berlinale.de/de/archiv/archiv_biografien/Biografie_Salzgeber.html
http://de.wikipedia.org/wiki/Manfred_Salzgeber
http://www.amazon.de/gp/product/392679660X/

JP

Perfect 10 Ash Blonde

Riemengesang

The scouring and sharpening

greasy leather

Rosa gallop on cracking ice

abdominal

flat on the ground

hip

spread apart completely

anatomically wrong-headed

invitation

supervisor to increase cross

Such

I be powerless

In Frozen clutching

For future arbitrary

The skin chasing

An opening

Without Zapf

The scouring and sharpening

greasy leather

Rosa gallop on cracking ice

ice packs

This is the Los

The white pig

with green faces

A shrill outing

enhancement of nature

Hysteron-Proteron

breaking wind

The scouring and sharpening

greasy leather

Rosa gallop on cracking ice

Have You Ever Gave A Male Brazilian Wax

Dancing on Ashes (Tedibea)

Thoughtfully considered Skull from the rearmost Table in the cabaret heads, hair styles and faces of the people who sip their drinks off their cell phones, yet quickly bring a sentence, although the public light has already ausgedimmt. Since they actually missed the moment, had summoned the Devyani it requires special attention: the sublime uncanny way the silhouette of a Japanese geisha out of the darkness to the edge of the beam. The unmistakable floating gear to the wonderful wooden sandals of their culture, the result of lifelong training, as if the woman moves on wheels. It follows a traditional geisha dance without musical accompaniment. The elegant quiet steps, the moderate gestures and bows, the interplay between taking and release of the kimono fabric with regard to its cultural inaccessibility and the lack of music is a strange abstract intimacy, and the consistency between gesture, make-up and mixed material, the presence of the dancer to a kind of closed work of art makes the greatest density.

occurs at their disposal another dancer, or is it a man into space - the memory banks of the same subtle early railways. He or she, without makeup, in western clothing, namely, track pants and sneakers, performed the same dance. As expected, the effect is entirely different. Skull Face for the presentation now looks to contemporary conceptual Dance, which concludes them to be interpreted as an attempt at uncovering patterns of motion in the context would seem meaningless. Some gestures received by the lack of panels a funny note, and the floating gear is for the rubber sole of the Adidas shoes almost impossible. From time to time is on the precise quarter-turns or reverse steps to hear a slight squeak, and the close ties up the thigh and knee seems absurd.

After her disappearance, this figure is now replaced by a distinctly male form. She is naked and performs exactly the same traditional choreography with all its refinements and subtleties but the genitalia simply do not have fit into the overall picture. Again and again tumble and swing it out, what the rest of the body bound even more extreme in itself and can act banned. Thanks to the precise repetition of formulaic steps and arm movements, the tilting of the head and trickily varying perspectives of the eyes, the complexity of the composition of the Geisha dance is a part, tangible, on the other hand, reach, until finally builds up over all the possible levels of meaning an internal defense, at least for Skull Face.

As the last passage brings the change to a giant teddy bear, the audience spontaneously began to clap, by each strain is different from the humor of the stuffed animal. Of course, the dancers in brown full-body costume same facilitations and subtle changes in the Geisha follows as closely as possible. In view of the quaintness of his figure and the gaze of Soulful button eyes, the feeling of congestion in peals of laughter discharges. The memory of the discreet bows, now run by a giant round head, these fine finger sign, lost in the clumsy claws. No less preposterous the short legs clamped together along with the abdominal skin. Just before the scene turns and a bitter heart is felt, a fabric flap opens the bear in his butt. One eye. When Blackout is alone ein blinkender weißer Lichtpunkt aus der Mitte sichtbar.

Games Where You Go Through Pregnancy

the short messages in the trade publication for the camera and the camera woman

The really interesting thing about the recent published edition of the German trade magazine "Film & TV cameraman" is less a continuation of topics for the 3-D motion picture production, but the many short messages waiting to be discovered, as a chronicle of the ongoing media coverage of life.

For example, I've only just learned from such a short message that the counterpart in the large fraud scandal-TV ("game addiction in children's channel") the now insolvent KOPPFILM (including Tochtergesellschaften) mit einem System aus Luftrechnungen und Kick-Back-Zahlungen war; dies wurde in der Berichterstattung der Tagespresse bislang dezent weniger angesprochen. Und ich hatte mich immer gewundert, wie man so ein schönes Studio in Berlins Mitte bei dieser mörderischen Konkurrenz und einem ungeheuren Investionsdruck bei gleichzeitiger Entwertung durch preisliche Demokratisierung (jüngst: DaVinci-Farbkorrektur für 999$, übernommen durch BMD) so lange halten konnte.

Entgangen ist mir bis zur Lektüre dieser Kurzmeldungen auch, dass DVS inzwischen von Rhode & Schwarz sowie T-Sevenload von Burda gekauft wurde. Dass die deutschen Kommunalen Kinos indess' davor warnen, dass mit dem Hinfälligwerden der upcoming 35-mm-Distribution Old movies can be projected via DVD-only repertoire, I had already heard elsewhere. read

More specifically, I got the message to the TV, copy protection on page 102 (issue 2 / 2011): ARD and ZDF plan appears to meet demands of the U.S. majors, and install a copy protection for their HDTV channels, but only with to function external decoders or brand new equipment. We might of ARD and ZDF evasive answers, but in effect, this would mean well, that following the first shutdown of analog TV channels and then the digital SD channels, you can not record more TV and private preserve is. How does it work TV with taxes together?

Speaking of TV control: A page earlier (p. 101) we read the media scholar Gerd Hallenberger interview and may at the end of three remarkable records to maintain, "ARD and ZDF will face acute with a huge problem that has been public until now little attention on . At the station faces enormous pensions Years ago, a senior ARD staff has projected in 2015 will be no more money for the program because the pensions devour everything. "

such a re-take the subject, the search Rüdiger country recently so pointedly put in the public had. On page 24 of this issue may be the program cuts des Ö-R-Rundfunks dann schon im Detail nachlesen. Eine Seite weiter (25) dann die allenthalbene "Hoffnung auf den Rundfunkbeitrag", die allgemeine Rundfunksteuer.

Ich denke, ob nun mit KEF-Zahlen oder ohne: Hier ist etwas deutlich verborgen und soll möglichst auch so bleiben, weil keiner bislang einfache Antworten darauf hat, wie man einer institutionellen Verfestigung seit sechs Jahrzehnten kreativ begegnen kann, um aus etwas Altem und Überlebten etwas Neues und Lebendiges zu schaffen.

JP


.

Funny Birthday Wall Messages

freedocumentaries.org It's time!

We Germans tend to say in a proverb: "America has it better!", at least the USA do have the DMCA law, the Digital Millenium Copyright Act -- which enables operation of websites like freedocumentaries.org -- where you can watch high-profile docs for free like Bowling for Columbine, Manufacturing Consent, Outfoxed, Sicko, Supersize Me, The Fog of War, The Corporation, The Origins of AIDS, Why we Fight, The Revolution Will Not Be Televised, The Road to Guantanamo, Enron and Prescription for Disaster - to name a few.

That is something we Germans would not dare to do, because we don't have the equivalent of the DMCA while we do have a totally different concept of copyright law descendence, presence and execution.

In their FAQ list those nameless individuals running freedocumentaries.org state:

"Do producers give you permission to show their films? --

We follow all copyright laws. We deal with streaming partners who handle all copyright issues. By imbedding films we can not legally be liable for any copyright infringement as stated by the DMCA. If you feel that your film is online without your permission, we will forward you to our streaming partners. When they agree that a copyright infringement has taken place, your film will be removed from our site."

and

"Can I get you to post a film? --

We are always open to film suggestions and recommendations. If you want to increase the chances that we watch and post the film, then you can post the film on Google Video and send us the link. In doing so, it's between you, Google and the film producers to ensure that no copyright infringement has taken place."

***

So so: hiding behind Google Video, hiding behind the behemoths.

Legally for them it's between "you, Google and the film producers". As long no one complains or demands removal from a third party streaming service (while avoiding limitations of Youtube's 10 min. max.) anything looks ok. If they have to put down one title in their listing, two new docs might pop-up afterwards. Is this really an incentive for producers to sell DVDs? How does the promised bright future of streaming services for money look like to producers while such websites are offering the best for free?

They suggest to users to donate 100 US$ one time or 10 US$ monthly to support them, but they pretend that they don't run this website -- basicly a curated listing - For money.

My question would be: How do

indy indy film makers and producers feel about this doc?

JP

.

Mounth And Blade Husband

Nice Guy: Patient information for Buddhist practice and thought-Sloterdijk

This press release from the "think tank Future" I would love to tell and share. She seems to be a clear indication that one is "spirituality" can not force and not instrumental "aufoktroyieren" materiality as replacement should, if "Backfire" wants to avoid. What do the "think tank Future" apparently intends, I would characterize as a trained master's religious scholars, the term "short circuit". In other words: I consider this association to be dangerous und erinnere an das heute bereits im anderen Beitrag zitierte Panikkar-Schnelting-TV-Gespräch von 1988. -- Ansonsten müsste ich nicht nur den Herren Miegel und Sloterdijk mal einen Vortrag über die gestaltungsmorphologischen Wirkungskräfte und mythologischen Wirkungsmächtigkeiten von Neptun, Chiron, Uranus, Jupiter, Eris sowie Pluto halten. Wer nicht an Revidierte Astrologie glaubt, wird sich dann aber die inneren Ohren zuhalten wollen. quod erat demonstrandum.

JP

***

Sperrfrist: Samstag 15. Januar 14.00 Uhr

Berlin, 15. Januar 2011

Pressemitteilung

Wir können auch anders sein!

Unter dem Titel "Weichen stellen. Wege zu zukunftsfähigen Lebensweisen" fand Today, the Second International Conference of the think tank Future - Cultural Renewal Foundation in Berlin Environmental Forum.
before 400 guests gave lectures and discussed well-known consumer and brain scientists, theologians and philosophers, as the required change in consciousness can be brought to sustainable lifestyles.

The researcher Juliet B. Schor American consumer, according to the Western consumer culture is not to preserve more upright, because it destroys the environment and society. However, neither strategy would result in a waiver of the corporate or the environment and climate crisis. The solution lies rather in the consistent use of neglected intangible sources of wealth: instead of making themselves share it now, rather than on their own use and invest primarily in social relations.

to such a change in awareness, people are generally quite capable to old age. The prerequisite for this, the brain researcher Gerald Huether, is the activation of the so-called emotional centers and the concomitant release of neuroplasticity neurotransmitters. This would ostensibly be the positive experiences that have made people so far with material consumption, replaced by positive experiences with intangible forms of wealth.

suggestions for this example, can be found in Buddhism. Here, for so many Western eyes visible, which many see themselves weaned have. Dasho Karma Ura, such as, President of the Centre for Bhutan Studies and founder of the Bhutanese gross happiness product, explained, may already result in daily meditation on the limitations of the human life a more respectful and responsible approach to nature, environment, people and society. The more the people at the same time their dependence on other people, but also nature and the environment would be aware, the more durable they acted.

But how come the people of the West of what they are to what they need to be to survive? From the wealth of ideas of the philosopher Peter Sloterdijk, it must be noted: Insight into what is necessary at all Open Community individuality back and clarify what was the original aim of the Europeans: The vision of "rich life".

Meinhard Miegel According starts from the second International Conference of thinking plant future good news and bad news. The bad: Many of today cultural influences by which they affect their livelihoods and their descendants sensitive and where possible even destroy. But that would imply - and this is the good news - "This character is not necessarily, we can be otherwise."

is for questions:
Stefanie Wahl
think tank Future - Foundation cultural renewal, Ahrstraße 45, 53175 Bonn
E-Mail: stefanie.wahl@denkwerkzukunft.de
Telefon: 0228 372044 oder 0172 5918936

Pet Platypus Leagal In New York

heaven and earth

Die Dinge kommen wieder zusammen: Ein Wiedersehen des ZDF-Fernsehgesprächs zwischen Raimon Panikkar und Karl Schnelting aus dem Jahr 1988 (ESD: 04.12.1989), der Kurzfilm "Im Wind" über die brandenburgische Gemeinde Trampe von Volker Koepp (als Teil der '20x Brandenburg') und die ARTE-TV-Erstausstrahlung am gestrigen Abend von Christians Freis sehr nachdenklich stimmendem Dokumentarfilm "Space Tourists", der die Spannung des Lebens zwischen Abheben in den Himmel und der Rückbesinnung auf aller-einfachstes Erden-Dasein spannt. Sich in einer entfaltenden Endzeitstimmung noch ein paar schöne Tage im All erkaufen zu wollen, das hat schon was.

Und dann die technischen Betriebsfette im Viehfutter, der Biodiesel im Eidotter, ein großer Lebensmittelskandal um Dioxin in Ei und Fleisch, aber mehr noch, ein Skandal der Größe, der Skalierung und der modalen Trennung des Zusammengehörigen, betrieben durch Effizienzvorstellungen, Zentralisierung, Monokultur, Profitgier und Größensucht. Holistisches Leben bedeutet, dass Viehfutterproduktion keine solche mehr sein soll und nicht von der Viehhaltung der Haus-Tiere getrennt sein soll. Große Fehler dürfen nur kleine Folgen haben, statt umgekehrt. Der Gutshof als Allmende für Mensch, Tier und Pflanzen brauchte die Viehfutterproduktion not outsource and also occupied a number of people in different functional areas. As can

ideas of a new "DC Power", one of his "smart grid", but of equal caliber: Deluded efficiency ideas, greed and addiction can appear any size in the right light crude ideology of so-called ecological living. Wind turbines are a great thing if they can make in a form acceptable size of the wind dimension clearly they are a nuisance when they threaten the "Farm" in low altitude for humans and animals, threatening roar. The higher the metal pole and the wings, the greater the rust of Decay - and the deductible amount of energy, the areas for some time to stop yet. Our wind farms are within a short time and look like the 'Baikonur Cosmodrome'. Solar panels produce electricity and heat. Small solar panels produce less heat, "solar farms" heating, however, the climate.

for a holistic life one needs no "DC power", no "wind farms" or a "solar farms", but the energy on site at the human level and an energy consumption that would not draw power than can be produced locally. These are the lessons from the findings of the 1970s and 1980s, all of which seem very relevant, because in fact 30 years in the social Entwicklung verschlafen wurden -- und die alten Konzepte in neuem Gewand des Größenwahns und in der groß-industriellen Anwendung vor allen Dingen eins sind: ziemlich unverträglich, wenig zuträglich und nicht sehr lange vorhaltend, unnachhaltig. Die vermeintliche Wende weg vom Öl und hin zu "regenerativen Energietechniken" ist ein Riesenrückschritt, wenn er so betrieben werden soll, wie er derzeit von der politischen Klasse in ihrer derzeitigen Organisationsform geplant und von der bisherigen Wirtschaftsstruktur umgesetzt werden sollte. Der Wettlauf zwischen der Zerstörung durch "Rettungstechnologien" und der Zerstörung der Weltwährungen bleibt derweil bislang noch offen. Man weiß nicht, was man eher herbeisehnen soll.

For all these reasons, I currently see much I like to still be significant and significant published interview broadcasts of television in the 1980s again: as the incoming blessing of the VCR to a time machine of memories for motion picture and sound set in motion. In a time before the monoculture of the "talk shows" the show from the Dia-Log set.

JP

.

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What Should I Do For A Balding Maltese?

Who will control "quality growth"?

The heckling by Meinhard Miegel "think tank Future", a kind of current adaptation of Robert Jungk's farsighted 'future workshops model are always gorgeous to pulling teeth. My questions about the recent "food for thought" and in the direction of "think- Future "would be about:

Who should" control quality growth "

And who sends himself in positions to control the transition from quantitative growth to qualitative growth

How does the old power elite so that they, the new power elite in the new? reference and may be in new contexts?

http://www.denkwerkzukunft.de/index.php/aktivitaeten/index/Zwischenruf-Jan-11

http://www.tagesspiegel.de/wirtschaft/viele industry-will-die-and-failed ...

http://info.kopp-verlag.de/hintergruende/europa/f-william-engdahl/global-warm ...

http:/ / info.kopp-verlag.de/hintergruende/geostrategie/f-william-engdahl/bevoe ...

JP

.

Panoramic Puzzle Frame 39 X 12

deterioration of infrastructure in Germany

me is struck shortly before Christmas, as you might read in the NYT that the local, public life in the short term paralyzing, giant Blizzard now would have at least one positive side for 10 or 20 U.S. Doller-one could be numerous, on the streets offering, job seekers can within a short time to shovel his car out of the snow. Snowfall as arbeitsbeschaffende action on their own.

The comparison to the failure of the Berlin S-Bahn was obvious: Here would be found no army at improvising minivan drivers, and we are still in Germany! We is no such thing, because something like improvising is prohibited. Under all laws and implementing regulations. Where would we go there even if everyone could suddenly become overnight 's wanted people carrier, simply because the public transport is zusmmengebrochen!

The deterioration of infrastructure in Germany, the Anglo-American disease therefore is a growing challenge for's improvisation in this country, while the state regulatory madness continues imagines the economic miracle street in the 1950s, with 1.6 million current officials with unmet pension benefits-in- spe. So I was previously unaware that an officer after only five years of service is entitled to a minimum pension of 1365 € per month! - Well just 700 million euros, missing a year to eliminate potholes. The decision "pothole disposal" or "minimum pension" in the future but I do not have to make better. I am very curious to see how the slogan of "fair-weather democracy" from the 1970s and 1980s will seem to be political storm periods of the 2010s and 2020s-years.

The political system fits into the nation-state scale (whether with or without economic globalization) now no longer on the performers themselves fragmented decay of technical civilization, because the size of the structure already burned the erwirtschaftbaren income before it can be used at all productive. Means: We can neither blow hole disposal, yet a functioning nation-ground, let alone make an official minimum pension at all, except through state coercion of the existing structure to structure preservation - be they political, economic or even punitive level. This is not a good prospect.

As well, these imbalances become noticeable and others, such as Ulrike Sosalla of the FTD

http://www.ftd.de/unternehmen/handel-dienstleister/:ulrike-sosalla-leben-nach ...

or Dorothea Siems at World Online.

http://www.welt.de/finanzen/altersvorsorge/article12046289/Auf-die-Steuerzahl...

JP

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Masterbation Colection

Announcing "Globians Doc Festhalle 2012 Audio Visual Anthropology"

The festival administration of the German GLOBIANS DOC FEST series announces "GLOBIANS DOC FEST HALLE 2012 Audiovisual Anthropology" as a second branch of the Globians Doc Fest documentary film festival series for April 20-22, 2012. A call for submission has been opened and publicized to documentary film makers, directors, producers and academic anthropologists as of today.

Withoutabox.com as the exclusive international submission partner of the Globians Doc Fest series with its Online Film Festival Submission System is accepting online submissions for "GLOBIANS DOC FEST HALLE 2012 Audiovisual Anthropology" starting today. As an incentive to independent film makers, no submission fees will be requested for festival submissions to "GLOBIANS DOC FEST HALLE 2012 Audiovisual Anthropology" until January 10th, 2011 [on Pacific Standard Time, (PST), UTC−8]

ABOUT THE FESTIVAL

In 2012 Globians Doc Fest Berlin will be starting-up a second and independent festival venture in the German city of Halle on the Saale river. HALLE is a very old city and was first mentioned in the year 806. It's a city of culture and made an early fortune with harvesting of salt. The city played also an important role in Martin Luther's Reformation. The Giebichenstein Castle (961), the Red Tower (1418) and the Moritzburg palace (1503) may provide a brief impression of history's visual presence in today's local life.

The programming of 'GLOBIANS DOC FEST HALLE 2012 Audiovisual Anthropology' will be curated independently from the Berlin world+culture festival venture. While Globians Doc Fest Berlin already toured through Germany in 2010 (when we brought a festival visit to the renowned "Linden-Museum" of Stuttgart), our HALLE spin-off will even further focus on bridging the world of world+culture documentaries as an art form with the sphere of academic research in the fields of Audiovisual Anthropology. We feel that this is a very substancial connection to strike on both sides of audiovisual documentarism.

The city of HALLE, with a population of about 232,000, is one of the major and preeminent centers of academic anthropological research in Germany: The University of Halle was founded in 1694. It is now combined with the University of Wittenberg and is called the Martin Luther University of Halle-Wittenberg. Together with the "Seminar für Ethnologie", the Graduate School Society and Culture in Motion, the city is also home to the Max Planck Institute for Social Anthropology. The German Academy of Sciences Leopoldina of Halle is one of the most respected scientific societies in Germany.

Hence, our HALLE festival progamming will be more focused on "social anthropology" subjects, topics and methodics. However, our "wild mix" in festival programming proacting for a consciousness enabling a sustainable future of planetary life will prevail. We want to bring our Berlin mood of GLOBIANS also to the city of HALLE. And by this we intend to maintain our range of documentary subjects, proved by the Globians Doc Fest series since 2005: world cultures, sub cultures, social change, local persistence, craftmanship, visual arts, music, theater, gender, myths, religion, knowledge, rural life, urban issues, the globalization process, barter concepts, wholesome technology, equilibrium dynamics, time as experience, the wisdom of plants, animals and species, healing, nature and mind, spirit.

We feel that HALLE as a city of culture will truely fit to the 'Globians way of life': In the past Halle was a centre of German Pietism and played an important role in establishing the Lutheran church in North America. Famous Baroque composer Georg Friedrich Händel was born in Halle on 23 February 1685, and lived in the city for 17 years. German writers such as Heine, Eichendorff, Schleiermacher, Tieck and Novalis established the town as one of the centers of the German Romanticism. Johann Wolfgang von Goethe was seen often in town as a guest of his close friend Johann Friedrich Reichardt. Today, HALLE features a vibrant scene of modern art and alternative life styles. The German National Foundation for the Arts and Culture is located in town as well as the broadcasting center of public radio for Central Germany plus several research centers for new media. A vibrant city for demanding documentaries.

+++

GLOBIANS DOC FEST BERLIN 2011
Globians world+culture Documentary Film Festival Berlin
August 12-17, 2011

GLOBIANS DOC FEST HALLE 2012
Audiovisual Anthropology
April 20-22, 2012

www.globians.com

Facebook:
www.facebook.com/globians

The direct submission link at Withoutabox.com
for GLOBIANS DOC FEST BERLIN 2011:
https://www.withoutabox.com/login/3821

The direct submission link at Withoutabox.com
for GLOBIANS DOC FEST HALLE 2012 Audiovisual Anthropology:
https://www.withoutabox.com/login/8690

Festival Curator:
Dr. Joachim Polzer

***

Festival Office Administration / Project Sponsor: Mentor
of change
profit limited liability company
(mentor of Change NPO)

PO Box 60 13 61
phone D-14 413 Potsdam, Germany
+49,331,279 76 62
email info@globians.com
register number: HRB 21 511 P

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Western Invitation Templates

happy new media-break-2011, Part II: Film festival on the Web

a short message to the NYT of 3 January
http://www.nytimes.com/2011/01/04/movies/04arts-FRENCHFILMFE_BRF.html
reported from the site
http://www.myfrenchfilmfestival.com/
as an attempt to the transient event and the relatedness extend from traditional film festivals on the web space with streaming services.
This should follow the strategy of being theaters operating closely drawn and implement time-limited rights to use and extend festival known strategies (feedback, criticism, discourse and Awards) on the online area.

JP

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What Color Trench Coat Should I Get

Happy New media wrap-2011: Mrs. Piel and documentaries without audiences

The new media in 2011 is equal to go well:

Mrs. Piel from WDR, the Berlin newspaper interview given

http://www.berlinonline.de/berliner-zeitung/archiv/.bin/dump .fcgi/2011/0103/m ...

in it with "if / then" thinking more or less already announced, as a toll-financed institution charges to try to sell Apps. Can you maybe teach somehow discreetly that even such a public considerations did not do, and for the continued existence of the fee-financed TV institutions can be dangerous?

If the TV will not do more on TV, Apps, sell for cash, then one needs no more compulsory subscription for TV.

I get this always abstruse considerations before more and more as a discourse of institutional existence of a threat: If television as we know it will disappear as the main medium, what do you do with their and their extended structure much energy (money) pulling programming networks and program providers?

reinterpretation?
redefinition?
past cheating?
restructuring?
Colonial territorial expansion? has handled the way you handled economically once the GDR:

or at least better?

Also Rüdiger Suchsland operates on Telepolis continue "ER-watching", this time using the example of the ZDF and its ratio, which is a documentary or a documentary or should be - as well as the budget shifts to escape the ultimate high-quality program, the substance, because with wants to play on the same program budget instead of a now four channels on its own:

http://www.heise.de/tp/blogs/6/149014

I mean, what have become conditions if the columnists are now calling constantly towards ER: "Not a step further"

The NYT has meanwhile drawn the economic Cinema balance of U.S. movies of 2010 and came to the conclusion that documentary films in American cinema (again) on Marginalitätsniveau are dropped (even there, so the big trend "buffo") - that although the distribution of documentaries shifted more to video-on-demand models, Funchal, is not necessarily only in the Web, "walled gardens of the Internet", but also cable television providers, particularly as new promotional models for Docs as SnagFilms with the Summerfest show up in the online sector:

http://www.nytimes.com/2011/01/03/business/media/03docs.html

http://www.snagfilms.com/films/press/snagfilms_summerfest_2010/

JP

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Awesome Run Out Songs For Basketball

Intimitate Kleinmachnow

In the Berlin suburb Kleinmachnow in the affluent suburbs outside the city limits - known among others for the eBay Germany office in Three Linden, a high proportion of single-and two-family houses and also for extensive population replacement by restitution claims - it is the only and former cinema in the town to revive again: the board game Kleinmachnow. In the Potsdam

local press could be seen frequently on the subject in recent months reports.
Darunter zuletzt diesen:

http://www.pnn.de/pm/361798/

Dass sich eine Gemeinde von knapp 20.000 Einwohnern ein Kommunales Kino leisten möchte, das von Filmliebhabern betrieben werden soll, ist schon etwas besonderes an und für sich. Von einer Filmuniversität Babelsberg oder den sonstigen Museen für Film, Medien und 'Gedöns' war bei dieser Rettungsaktion jedenfalls bislang keine Spur zu finden. So eine Revitalisierungsaktion bleibt damit einer lokalen Kino-Bürger-Initiative vorbehalten, einer Graswurzelvereinigung und -bewegung an Kino-Bürgern, zumal der wirtschaftliche Betrieb selbst bei einer Kommunalisierung der Immobilie in Form eines Kinobetriebskonzepts eine echte Herausforderung be expected.

It is probably the shared experience of lack of distance from the center of gravity and clarity of local conditions to such a movement at all to get going. In Berlin, there seems to be either the lack, at a distance from centers of gravity as well as to the clarity of relationships to be missing. But in Stuttgart, a cinema of the Municipal Theater citizen has not yet been found.

JP

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